Individual articles published in scientific and professional journals will give insight into specific research tasks of the project collaborators. In that, one group will be comprised of research on music in/as performance, another will focus on record filters and the links between record industry and other driving forces of musical life, and the third group will more explicitly focus on the issues of the music industry being anchored in the social environment, the local and global dynamics, and the recipients of record releases. Besides, individual collaborators will prepare articles on theoretical and methodological starting points and implications of this research project, and the PhD candidate will carry out research into the production and dissemination of the three local record companies in relation to the foreign companies present on the Croatian market, the presence of Zagreb-based companies on the European market, and the market niche of Croatian and other South Slav communities in the US.
Our conference plan is comprised of leading local and international musicological and ethnomusicological organizations as well as organizations for the study of popular music and sound archiving.
Tanja Halužan: presentation “Mjesto institucionalnih i privatnih zbirki šelak gramofonskih ploča u istraživanjima rane diskografske industrije u Hrvatskoj: ishodišta, prožimanja, prijepori i refleksije”. See: PPT
Joško Ćaleta: presentation “Zbirka gramofonskih ploča Damira Tončića u Državnom arhivu u Splitu”. See: PPT
Naila Ceribašić: presentation “Su-stvaranje znanja o diskografskim izdanjima: suradnja i prijepori suradnje”. See: PPT
Dora Dunatov: introductory presentation “Projekt Diskograf u prve tri godine – rezultati i realizacija” and presentation “Na razmeđu disciplina: diskografija pod akademskim povećalom”. See: PPT-Projekt Diskograf / PPT-Na razmeđu disciplina
Jelka Vukobratović: presentation “Važnost istraživanja diskografije za razvoj studija popularne glazbe”. See PPT
Tanja Halužan: presentation “Značaj rane hrvatske diskografije u formiranju jezgre (standardiziranih) lokalnih repertoara”. See PPT
Joško Ćaleta: presentation “101 Dalmatinska – Jugoton releases of Dalmatian (popular) songs as a forerunner of the organized klapa singing movement”. See: PPT / Presentation video
Dora Dunatov: presentation “Records, music, shops and kolo: A case study on a South-Slavic music record seller in the post-WWII US”. See: PPT / Presentation video
Jelka Vukobratović: presentation “The treatment of foreign popular music in Yugoslav record production during the 1950s”. See: PPT / Presentation video
Nada Bezić: presentation “Od Penkale do Jugotona. Topografija diskografske industrije u Zagrebu”. See: PPT
Jelka Vukobratović & Mojca Piškor: presentation “U potrazi za nevidiljim. Romski muzičari u muzičkom pejzažu Zagreba između dva rata”. See: PPT
Željka Radovinović: presentation “Politika i glazba s gramofonskih ploča od šelaka domaće proizvodnje u programu Radijske postaje Osijek: studija slučaja na temelju arhivskog istraživanja”. See: PPT (Cro)
Nada Bezić: presentation “Topografski aspekt početaka diskografske industrije u Zagrebu”. See: PPT (Cro)
Naila Ceribašić: “Women and Gender Relations in the Record Industry in Croatia from 1927 to the End of the 1950s”. See: PPT / Abstract
Jelka Vukobratović: “Women and Sexuality in the Interwar Croatian Popular Music through the Lens of Early Record Industry”. See: PPT / Abstract
Naila Ceribašić: presentation “Report on the first year of work on the project “The record industry in Croatia from 1927 to the end of the 1950s”. See: PPT (Cro)
Dora Dunatov: presentation “The position of folk music in Jugoton’s 78 rpm production”. See: PPT (Cro)
Naila Ceribašić: online presentation”Political and Economic Record Filters: The Example of the Three Zagreb-Based Record Companies from the 1920s to the 1950s”. See: PPT (Eng) / Programme
Dora Dunatov: online presentation “Ethnicity and the Shellac Market After WWII: Ethnicities of Former Socialist Yugoslavia and Their Position in Record Industry on the Example of Jugoton Rec. Co.”. See: Presentation (Eng) / PPT (Eng) / Programme
Naila Ceribašić: online presentation “Localization of record industry in the interwar period: Examples from Croatia” at the 12th International Symposium Music in Society. See: PPT (Eng)
Tanja Halužan: online presentation “Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka”. See: PPT (Cro)
Jelka Vukobratović: online presentation “Early Croatian Record Industry and the Breach of Western Popular Musics”. See: PPT (Eng)
Jelka Vukobratović: presentation “Ethnomusicological Nationalism and its Innocence in Times of Crisis” partially relating to the materials from the project, at the Symposium “Musicology and Its Future in Times of Crises” (Online Symposium, Zagreb 26-28/11/2020). See: Presentation/ PPT
Tanja Halužan: presentation “Local, National and/or Cosmopolitan Character of the Record Industry: The Example of a Zagreb-based Record Company and the Kajkavian Region of Croatia” at the SEM 2020 conference (Virtual Annual Meeting, 2020/10/22-31). See: Presentation / Summary
Naila Ceribašić: presentation “Glazba kao snimka: staro i novo normalno u doba pandemije” at the conference Covid-19 u humanističkoj perspektivi: mutacije straha i kulturne promjene (IEF, Zagreb, 2020/9/28-30). See: PPT/ Summary / Presentation
Naila Ceribašić: presentation “A Snapshot of the Project ‘The Record Industry in Croatia from 1927 to the End of the 1950s” at the conference Early Recordings: Methodologies in Research and Practice (IMR, London, 2020/7/10-11). See: Presentation / Summary
Nada Bezić – Željka Radovinović – Jelka Vukobratović: “Predstavljanje početka projekta Diskografska industrija u Hrvatskoj od 1927. do kraja 1950-ih” at the 21st annual meeting of the Croatian Musicological Society (Zagreb, May 2020). See: Presentation